They haveĭone a great deal of that in the last 4 seasons. I do not like to see our characters die nor sacrificed for the sake of saving the world. I think the characters deserve a normal and happy life after what they done to save the world. The alternate universe’s door is built again and Lincoln and Bolivia, too got married.Īnything, as long as it is a happy ending. Olivia still with FBI and Peter helping his Dad for whatever Walter is doing to help the FBI in their cases. I would like to see Olivia and Peter settling into a normal life of being a married couple bringing upĮtta. If they are eliminated in this finale series, then there will be no more fringe events unless the producers create another bizarre happening at the end. There will be no Fringe Department of FBI because somehow as I deduced from the show, all Fringe events are caused by William Bell and the Observers. I like to see the finale as lives of our characters become normal again. I hope the Fringe producers won’t disappoint me with the season finale. The characters and the actors blended well that it is difficult to separate them.
Observer makes me feel like a parent myself, in that I'm not mad at it-just disappointed.I concur, too. He's not Deckard in Blade Runner, he's Liam Neeson in Taken, and that's less interesting. He's not a tool of the state today, he's a concerned father. It engages with potentially rich themes about surveillance and privacy only superficially, because Dan's motivation is a relatable one. We never get to see Dan's job when he's out there being a corporate-sponsored cybercop who hacks brains, because minutes into Observer he gets a call from a son he hasn't seen in years and races off to find him. What really undid Observer for me, beyond pulling the same tricks out of its bag over and over, is that it boils down to a familiar family story.
Observer has a few other flaws as well-it uses 'jump scares', obscures its visuals with chromatic aberration, sometimes judders even on high-end graphics cards, only allows for one savegame-and while those might be dealbreakers for some they didn't particularly bug me. The entire climax of Observer is one of these, and it detracts so much from the story's final twists. The first couple of these work fine, but like so much of Observer they're overused, and autofail stealth shoehorned into non-stealth games isn't something I had much patience for to begin with. Livening up the dreams are cat-and-mouse sequences in which you have to sneak past something that kills you if you're seen, pushing you back to the last checkpoint. Eventually it stops being able to disguise how much you're just holding down W to walk past weird stuff. In Observer you open doors by clicking on them then pushing or pulling just like in Amnesia, a cute technique for emphasising the dread of finding out what's on the other side, but so much of Observer is opening doors to look into another weird room that it's numbing. It doesn't help that they're structured so much like every first-person horror game about walking down halls towards spooky doors. After seeing a bunch of those in a row I stopped being able to process the novelty. It's not telling you anything interesting about the character, it's just a visual effect that looks kind of cool. Straight after the prison wall moment there's a laundry room where piles of computer equipment and clothes glitch into different positions. Those flights of fancy drag on and don't always have much to say. That's Observer at its best, a grimy cyberpunk detective story that veers into extended flights of fancy, Blade Runner if the unicorn bits made up half the runtime.
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